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Showing posts with label Interview. Show all posts
Showing posts with label Interview. Show all posts

Monday, July 29, 2013

A Good Time by Shannyn Schroeder


A Good Time

by Shannyn Schroeder

 

~~~~~~~~~~~~~

 

BLURB:

 

A passionate free spirit and a sweet-talking playboy sound like a match made in heaven—until life gets in the way of all the fun and games…

 

Indy Adams values her freedom above all else. She works hard to support herself, moonlighting as a waitress while she fights for her first big sale in the Chicago real estate market. The last thing she needs is to be tied down, so she doesn’t think twice about declining her philandering boyfriend’s marriage proposal. Besides, she just landed a new client, a wealthy lothario—exactly the kind of guy who would understand her no-strings approach…

 

 

Handsome, rich, and charitable, most women jump at the chance to even talk to video game developer Griffin Walker, let alone date him. So he can’t understand why Indy wants nothing more than a few steamy nights together. Despite his romantic track record, Griffin longs for real love—complete with a home and family—and he wants it with Indy. But a blessing in disguise may lead them both to a life they never expected, and give Griffin a chance to show Indy that it’s okay to want more than a good time…

 

 

 

 

 

 
 

Excerpt : Griffin and Indy just suffered through an uncomfortable family dinner with Indy’s dad. They’ve left her sister’s house together. (263 words)

 

 

“How are you getting home?” Griffin asked.

           

“Same way I got here—public transportation.”

           

“You’re taking the bus?” Somehow, he couldn’t picture her standing at a bus stop and clambering up the steps, pushing into the crowd.

           

“Yes, I’m taking the bus. What’s so funny?”

           

“How many times on your trip did a guy try to pick you up?” That he could imagine, especially with her bar uniform on.

           

She shrugged. “No more than when I’m at work. The unwashed masses are not as bad as you picture them.”

           

“Come on, I’ll give you a ride.”

           

“Not necessary. I don’t mind taking the bus and my apartment is out of your way.”

           

“Come on. By the time the bus shows, I’ll have you halfway home.”

 

They walked to his car in silence.

 

“What, no Jag tonight?” she asked, approaching the SUV.

 

“Sorry, I came from the office.”

 

Indy opened the rear passenger door and carefully placed the cake on the floor. She closed the door and leaned against it. “Thank you for tonight. You were an excellent distraction.”

           

She smiled up at him, golden eyes reflecting the streetlights. On impulse, he lowered his lips to hers. Her heady scent grabbed him and he pressed her against the car.

           

She tasted even better than he imagined. He expected light and breezy, but found her spicy and secretive. He braced his hands on the car behind her, trapping her with his body and preventing himself from grabbing her. His fingers wanted to tangle in her long hair.

           

He pulled back before he could want more.

 

 

Excerpt Three: Griffin and Indy have slept together, but Indy snuck out of his house. Now, he’s shown up at her apartment to confront her. (373 words)

 

 

“Why are you here?” she asked again.

           

“I rolled over in bed, expecting to find a warm naked body and found nothing. When you didn’t pop out of the bathroom, I went to look for you and found this.” He tossed her crumpled note on the kitchen table.

           

She shook her head to clear it. “You’re pissed because I borrowed a sweatshirt?” How petty was this guy? She stripped it off and threw it at him. He dropped it on the chair.

           

Indy moved to push past him, but he caught her arm.

 

“I’m pissed because you snuck out of my house. You just left.”

           

She yanked her arm back. “I didn’t see the point in waking you. What do you want, a big, fat thank you?”

           

He deserved at least that much. It had been some of the best damn sex she’d ever had. Not that she would admit it right now.

           

“I want to know why you left.”

           

She didn’t know how to answer. I don’t belong in your world? He wouldn’t buy it, even though it rang true. She took a deep breath, stared at the floor, and lied. “I can’t sleep in a strange place.”

           

She’d felt too comfortable in his bed and knew it was a bad thing. Sex was sex, but sleeping together changed things.

           

His voice softened. “You fell asleep before I did.”

           

She shrugged, hoping he wouldn’t try to bust her on her lie. He moved closer and ran a hand over her hair. She wanted nothing more than to snuggle her face into his hand, but held back.

           

“Fine. I thought you might want these back.” From his pocket he produced her panties.

           

She looked at her panties dangling from his finger. The tense moment passed and she smiled. “No bra?”

           

His eyes wandered to her chest and her hard nipples. “I didn’t know you left it.”

           

“I couldn’t find my panties or bra.”

           

“I’ll look for it.” He took a step closer and she backed into the wall. “Next time, I won’t let you off so easy.”

           

She tilted her chin up, her heart already racing. “Who says there will be a next time?”

           

“You,” he whispered against her lips and kissed her.

 

 

 

 


~~~~~~~~~~~~~

 

AUTHOR Bio and Links:

 

Shannyn Schroeder is a former English teacher, who now works as a part-time editor while raising her three kids.

 

Even though she wrote from high school through college (mostly poetry), she’d never considered a career as an author. Writing fell by the wayside as she focused her energy on creating lesson plans and new and fabulous ways to torment her teen students. One group in particular dubbed her “The Torture Master,” a title she carried into motherhood.

 

After the birth of baby number two, Shannyn resigned from teaching and fell in love with reading romance novels. She read so many books so quickly that her husband teased, “If you’re going to read so many damn books, why don’t you just write one?”

 

So she did.

 

That first book is safely buried on her hard drive, but the process set Shannyn on the path to professional author. She came to reading romance later than many, but lives for the happy ending because real life can be depressing. She writes contemporary romance because she enjoys the adventure of new love.

 

In her spare time, she loves to bake cookies and watches far too much TV, especially cop shows. She is recovering from her Diet Coke addiction, fears putting her foot in her mouth on social media, and has a renewed appreciation for the bad girls of the world.

 

Web site: http://www.ShannynSchroeder.com

 

Twitter: @SSchroeder_





 

What inspired you to write your first book?
I had been reading a ton of romance and then one day I had this idea. I thought about it for weeks, without telling anyone. Then one day, my husband made a joke about the number of books I was reading. He said that I might as well just write one. I sat down at my computer and started writing, not knowing if I’d be able to write a whole book. I didn’t know anything about writing a book (How many words in a book? How does a book get published? What do I do when I’m finished?) I was able to finish the book and then I set out to learn all I could about the business, starting with joining RWA. The book wasn’t very good, but I learned a lot from it and fell in love with writing.
 
Do you have a specific writing style?
I’m a pantser, which means that I don’t really know what I’m going to write. I come up with ideas for my characters and a basic situation and then I start writing. Now that I have to write under deadline, I’ve tried to get better at doing some planning before I write so I don’t have to waste a ton of time rewriting junk.
 
How did you come up with the title?
I didn’t. My editor came up with my titles. In fact, I’m really bad at coming up with titles. My first book, More Than This, went through 3 titles in my hands before my editor came up with More Than This. A Good Time went through two titles with me. The second one I had wasn’t bad, but A Good Time is better.
 
Is there a message in your novel that you want readers to grasp?
The idea that really surrounds Indy and Griffin is that they should exceed expectations. They both go through life not having too many expectations at all, but they teach each other that it’s okay to expect more.
 
Are experiences based on someone you know, or events in your own life?
Nothing in this book is based on anyone I know or anything I’ve experienced. That’s part of why this book was hard for me to write. Indy is so different from me that I kept having her do things and react to things the way I would, which didn’t work for the character or the book.
 
If you had to choose, which writer would you consider a mentor?
Lani Diane Rich (AKA Lucy March) has been great. I started following her blog a few years ago and then I took a couple of classes with her. I have learned so much about story structure and characters, especially for this book. Without her help, I might still be staring at old drafts of A Good Time trying to figure out what to do.
 
 
What book are you reading now?
Love Irresistibly by Julie James. I buy all of Julie’s books because she crafts a great contemporary.  
 
Are there any new authors that have grasped your interest?
One of my favorite authors of 2012 is Ruthie Knox. She had 2 books release last year and she’s become an auto-buy for me.
 
What are your current projects?
The third book in the O’Leary series is with my editor and will be out sometime in early 2014. I’m currently drafting book 4 while revising a couple of non-O’Leary books that I hope to get out on submission.
 
Name one entity that you feel supported you outside of family members.
Chicago-North RWA. This is my local chapter and it’s a critique chapter. They’ve taught me so much, I can’t even put it into words. The members are all so supportive, both published and unpublished. I hate when I have to miss a meeting.
 
If you had to do it all over again, would you change anything in your latest book?
I can’t think of anything major that I’d want to change. With every book there’s always small things—a word I found I used too often or a sentence that reads awkwardly—but the story itself I still like.
 
Do you recall how your interest in writing originated?
I’ve always been a writer. As a kid, I walked around with a clipboard full of looseleaf so I could craft a story. By the time I was in high school and through college, really, I focused mostly on poetry. Once I became a teacher, I stopped writing because my job required all of my focus. It wasn’t until after I had a couple of kids that I returned to writing.
 
Is there anything you find particularly challenging in your writing?
Revisions are always hardest for me. I like to draft—that first time of getting a story down and playing with the characters. I let the words flow without worrying too much about what works and what doesn’t. Then I have to revise. Sometimes, though, I’m not sure how to approach a book to make it better. I can’t see the problems, much less know how to fix them.
 
 






 

Friday, July 12, 2013

Lydia Burris





Lydia Burris Interview


Ambrosia Arts - So tell us how you got started in art originally. How and when did it begin for you? Was it an immediate passion? A lifelong love affair?


Lydia Burris –  Absolutely. I came from an artistic family - both parents were artists. My mother was a main inspiration. She used to debate with my aunt who gave me the first crayon in my highchair. As a kid, I was always drawing and getting distracted by doodling. Mother also had a morbid sense of humor, and loved horror movies. She would always let me watch horror scenes, and we would have scream contests (living out in the country, this was ok) - I remember being very very short when she first showed me Hieronymous Bosch's scenes from “HELL”. She has since passed on.


Ambrosia Arts – So sorry to hear that. It's wonderful when an artist is born into such a supportive nurturing family. Did she teach you mostly or were you more self-taught? Have you had professional schooling for your development of craft?


Lydia Burris -  Thank you. She passed in February of 2011. Mother provided the inspiration and the tools, the horror and fantasy movies, the paint brushes, the canvas, the words of wisdom, but let me do my own thing, and move at my own pace. I did get training. First there were the art classes in HS of course, some occasional private inspirational workshops with artist friends of the family, but I did go on to focus on art in college - I did a double major - one was 'fine arts' and the other was an independent major that I called 'illustration of mythology' and eventually my MASTERS of FINE ART, at a school in Norwich England. a full intense 1 year program.


At IUBloomington (undergrad) I was trained how to paint from life. flesh tones, light and shadow... but they poopooed my interest in fantasy and illustration. I hid my scary drawings in my sketchbook. Then to England where I learned how to defend my work with words, but they didn't really get interested in my work till I put the paints down and began to make installations. I often tell people 'I entered England as a painter and left as an artist"


I had to retrain myself before I felt comfortable getting my favorite subjects onto canvas


Ambrosia Arts - Truly an experience. So your art has literally taken you places. Explain how you did that, retrain yourself.


Lydia Burris -  After getting trained in so many different directions, I had the skill to paint, and the confidence to create in any media, including 3D environments.... But 'fantasy' and 'horror' was always seen as 'sub' art or 'cheesy', not as 'valid' as other fine arts. This is bullcrap of course, but it’s an opinion that still persists in many circles - although in the last 10 years, dark art, illustrative and narrative, fantasy and horror have really risen in level... Anyway, I felt this pressure, almost GUILT that my fantastic subject matters were somehow less valuable. Even though I knew this, it was like a muscle memory left over from school. It took a few years to shake this off, and experiment with subject matter, and getting my odd drawings onto larger formats and out of the sketchbook.


I just kept forcing myself to let my imagination take the foreground.


Every time I got my 'oil' paints out, I was compelled to use a visual reference, I felt blocked from painting directly from my imagination. I just had to keep trying it and eventually I was able to merge my imagination with the skills I had acquired.


Using other mediums sometimes helped. I am a huge fan of mixed media these days.


Ambrosia Arts - So what do you feel thus far as an artist has been your greatest experience or greatest moment?






Lydia Burris - There have been a few moments. Traveling overseas to commit to a year in England on my own (2004, 2005) My First Convention in 2007 where I truly found my creative family, (Wizard World Chicago), The day I was able to quit being a waitress and move to all art related jobs in August of 2009. Another great moment was this past GenCon, August 2012, realizing that I truly have fans.


Also, receiving a residency to get a free studio for a year in downtown Indianapolis was a pretty exciting moment in my professional/independent art experience.


Ambrosia Arts – Wow now that is incredibly exciting. Tell how you feel about your art. While you’re creating, the message you send through your pieces, what you feel you portray to the viewer.


Lydia Burris - Usually for my own personal art - not a commission, not a fan inspired piece, etc, I begin randomly. I tend to have 2 methods, both begin automatically.


Method 1: super experimental - I begin with emotions and colors. These can change as the work develops. I add shapes and sometimes layers of text. I rub away colors and add more in. I write words and cover them up. I use an unexpected array of colors. Eventually I decide to add figures or faces, or found poetry.


Method 2: tree people: I begin automatically with shapes and subdued colors - eventually forming part of a face and/or body - I let the random shapes extend outward to form branches and roots. Eventually I end up with tree people.


Sometimes I try to combine these methods, and something’s the 1st method changes depending on what medium I am using. I love to experiment and not know the outcome of works. I love mixed media, and I love to combine reality and the abstract. A face from life that extends into abstraction.




Ambrosia Arts - As far as personal aspirations go, there is no greater feeling to me, then when you have the freedom to do what you absolutely love in life to its fullest


Lydia Burris - I always think of the 'bohemians' from Mulin Rouge - Truth , Beauty, Freedom and LOVE! True words for an artist, the most important thing, but it is definitely a HARD PATH. A struggling path. a Financially uneven path.


Freedoms of the soul at the expense of the pocketbook sometimes. But I am confident that if I stay on this path and go full speed ahead (as much as I am able) then after a while, I won't have to worry about the money


*I'd rather not be making tons of money from something I love than not making tons of money from a job I hate.*


Ambrosia Arts – Where do you see yourself and your work in the next five years? Is there anything else you would like to try professionally? Another medium you may be exploring? Do you have a dream goal to reach with your art? A special gallery you'd want to get into perhaps?


Lydia Burris - I would LOVE to get into film, and I am currently working on my own graphic novel. I have tried narrative work in the past with others and (quite frankly) failed. Things were left incomplete. I was never satisfied. I am trying my OWN project and vow not to try any 'comics' until I do my OWN. I have also written a script for a short film. I want to get into stop motion animation (I have played with this) - I am always open and willing to try new mediums and find that father time is a CRUEL master.


In 5 YEARS:


I see myself doing similar to what I am doing now, but with more success in sales, bigger projects under my belt, and a few books published at least. Art books, but also writing. Another medium I play with, but I do not share as much.


My goal is to have the freedom and ability to travel with my work without as many worries. I want to work with big names. I used to think that meant the big names of now, but if you look at those big names, most of their partners started at the same place: the bottom. - so I look to people in my same situation as partners and accomplices - there is so much creative energy in the air, so much potential - I say to all my creative friends and partners in crime: Let us grow into greatness together. Don't stop, don't give up. Someday we will look around us and see that we have already made it.


And one of my favorite quotes: Dive off the cliff and build your wings on the way down. This is how I view my art career.


Ambrosia Arts - Well you are one we will certainly all be watching for great things to come. Including your novel, could you give us any insight into it or any other big projects you have coming up soon?


Lydia Burris - Projects coming up: I am currently working on book covers for Nathan Squires's Crimson Shadow series, Creating my own graphic novel about madness, and a slew of new dark fantasy artworks for a show in August called 'Conjure' - details to be announced at a later date. My convention and gallery show schedule can be seen here: http://lydiaburris.com/updates.html






Closing thoughts from Lydia Burris: I'm honored to share myself and my art with this interview, and I make a plea to all the dreamers to keep dreaming, and to keep creating, and to keep reaching. We inspire each other - and by our lights, we find each other. Stay bright friends!